A badge of honour

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The symbolic nature of jewellery has allowed wearers to signal their beliefs, alliances and values for thousands of years. For Women’s History Month, our Senior Curator Modern & Contemporary Design Sarah Rothwell explores the recent acquisition of a brooch that tells the defiant story of women’s suffrage.

By incorporating a specific message, slogan or symbol, a jewel becomes a provocative statement on societal and political issues. This in turn provokes both the viewer and wearer to think beyond the decorative. To mark Women’s History Month, I draw your attention to two objects that tell the story of sacrifices made in the fight for women’s rights through the symbols used in their design, and how after 100 years the fight continues.

The Holloway Prison brooch was first distributed en masse at a public meeting on 29 April 1909 at the Royal Albert Hall. It was handed out to the recently released members of the Women’s Social and Political Union (WSPU) who had been imprisoned within Holloway Women’s Prison in London for their efforts in the campaign for women’s suffrage.

Metal brooch looking like a portcullis with green, purple and white triangles on it.
Holloway Prison brooch designed by Sylvia Pankhurst (1882-1960) in 1909. Manufactured by Toye & Co, London, c. 1909–1914. K.2021.4. Image © National Museums Scotland.

‘suffragists’ believed in peaceful campaigning, members of the WSPU were
‘suffragettes’ who, frustrated with the lack of parliamentary support, led
militant and violent campaigns to draw attention to their cause for women’s
rights and recognition. For this action, many were incarcerated and treated horrifically
in prison. Just as soldiers are awarded medals for acts of heroism, the women
of the WSPU were given the Holloway Prison brooch for their bravery and

The gathering outside the Royal Albert Hall was designed to coincide with a meeting in London of the International Woman Suffrage Alliance. The public ceremony and unveiling of ‘the Victoria Cross of the Union’ aimed to draw the world’s attention to the struggles of suffrage prisoners. The brooch itself was designed by Sylvia Pankhurst who (alongside Emmeline Pethick-Lawrence) is recognised for giving the Suffragette movement its visual identity and the colours associated with the movement: green representing hope, white for purity and purple for dignity. The brooch also combines symbols representing the Suffragettes’ demand to be recognised as political prisoners. The portcullis symbolises the House of Commons and the political system they were fighting against. The superimposed broad arrow (a recognised symbol of government property that was used on prison uniforms) subverts the shame it was supposed to instil in those wearing it by making it a symbol of courage and resolve.

Black and white photo of a woman.
Emmeline Pankhurst (1858–1928) wearing her Holloway Prison brooch c.1909. Pankhurst founded the WSPU in 1903 as an organisation open only to women which focused on direct action to win the vote. “Deeds,” she wrote later, “not words, was to be our permanent motto.” However, she did not live to see universal suffrage being granted as she died due to ill-health just over two weeks before the signing by parliament. Image courtesy of LSE Library.
Black and white photo of a woman sitting in a chair.
Amy Sanderson (1876-1931), wearing her Holloway Prison brooch c.1910. Sanderson joined the WSPU in 1906 and was arrested at the ‘Women’s Parliament’ militant protest at the House of Commons in 1907. She started speaking at events in Scotland on behalf of the WPSU and was the key speaker at the 1912 Hyde Park women’s rally after marching from Edinburgh to London.
Image courtesy of LSE Library.
Black and white photo of a woman.
Leonora Cohen (1873–1978) wearing her Holloway Prison brooch c.1911. Cohen was part of ‘The Bodyguard’ whose role was to physically protect Emmeline Pankhurst and other prominent suffragettes from arrest and assault. She was held in Holloway in 1911 for smashing a government building window. In 1924, Cohen was appointed a magistrate and was one of the first women in the UK to be appointed to the bench. Image © Leeds Museums and Galleries; licensed under Creative Commons BY-NC-SA.

Following its
first mass distribution in 1909, the brooch was given to everyone who was
incarcerated within Holloway Women’s Prison upon their release. This stopped in
1914, when the outbreak of the First World war led to the militant
strategy coming to an end and the Government releasing all imprisoned Suffragettes.

The brooch was normally awarded directly outside the gates of the prison in another act of defiance against the authorities. This was done in the company of other Suffragettes who would gather to celebrate the person’s release. The Holloway Prison brooches were not engraved with the names of the women to whom they were awarded, unlike the later hunger strike medals. Sadly, we cannot name the original recipient of this piece, but we honour the sacrifice they made on behalf of the movement.

On Sunday 10 June 2018, tens of thousands of women and girls (including those who identify as women) and non-binary people came together for PROCESSIONS, a once-in-a-lifetime mass participation artwork. It took place simultaneously in Belfast, Cardiff, Edinburgh and London, and marked one hundred years since the signing of the Representation of the People Act, which granted the first British women the right to vote and stand for public office. The 2018 march honoured those women, like the owner of the Holloway Prison brooch, for their efforts and sacrifice.

Photo of a group of women wearing white posing with a banner.
Sarah with The History Girls and Assistant Curator Emily Taylor at the 2018 Edinburgh PROCESSIONS march.
A green and purple quilted banner showing a women with the word "Equality" across her.
Quilted banner, made for the PROCESSIONS march in Edinburgh to celebrate 100 years of women’s suffrage and campaign for gender equality in contemporary society. It was designed by Lorna Fogden and made by The Edinburgh Quilting Collective, Edinburgh, 2018 (X.2019.15). © Lorna Fogden. Image © National Museums Scotland.

Wearing either green, white, purple or all three as those Suffragettes once did, the PROCESSIONS flowed through the cities with banners held aloft, bringing everyone together in celebration. Those who participated, myself included, were each sent a commemorative pin to wear on the day as a symbol of our own participation. I proudly gifted mine to the Museum in remembrance of those women who not only went before but who continue to campaign for gender equality both here in the UK and across the globe.

A pin in the shape of a green and purple cross.
Sarah’s pin, given out at the PROCESSIONS march (K.2021.53). Image © National Museums Scotland.
A card with 8 women's pictures on it explaining who they are.
Sarah’s PROCESSIONS pin on souvenir card, commissioned by Artichoke for 14-18 NOW programme (K.2021.53). Image © National Museums Scotland.

Though the Holloway Prison brooch is small in comparison to other recognisable symbols of the struggle for women’s suffrage, by wearing this medal it was, and is, a potent symbol of the extreme measures these women were willing to go to for women’s emancipation. So when I wore my own wee symbol in their memory, it was to honour the sacrifice they made so that women like me have had a say over our own destinies and place in society.